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SIRIN THADA | Art + Illustration | NYC
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Fantastic Binomials

I have been devouring this for the past week. It’s one of those books I’ve immediately come to treasure, and know I will return to over and over again. At its simplest, it is a guide to creative storytelling for children… But more than that, it’s a book that bubbles with energy, trills with melodic wisdom, and provides insight in such a beautiful and utterly inspiring way (not to mention, all the lush illustrations by Matthew Forsythe). You can’t help but want to draw and write, when reading this.

From Chapter Four, “The Fantastic Binomial”:

We have seen the birth of the fantastic—as the starting point for a story—originate from a single word. But this is an optical illusion more than anything else. In reality, one electrical pole is not enough to cause a spark; it takes two. The single word “acts” only when it encounters a second that provokes it out of its unusual tracks to discover new possibilities of meaning. Where there is no struggle, there is no life.

What synchronicity, that on the same day I read those words, I stumbled upon a little drawing challenge of imaginary flowers hosted by the talented artist Estee Zales, incorporating those very principles. I’ve been thoroughly enjoying taking a break from the usual, to create a few nonsensical doodles… This was my creation for Day 5, pairing flower with…shoes! (Well, cowboy boots, in this case.)

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A post shared by Sirin Thada (@sirinthadastudio)

tags: book, drawing exercise
categories: May 2025
Friday 05.23.25
Posted by sirin thada
 

Mary Delaney's Exquisite Collages

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

I first learned of Mary Delaney’s work thanks to a dear friend on social media, who accurately predicted I would be enchanted by her art. Even more enchanting is the fact that she started making this series of incredibly intricate collages (985 works total!) at the young age of…72!

With just paper and scissors, Delaney meticulously crafted each specimen, sometimes using around 200 petals per flower. She would paint in more detail with watercolor if needed, and the glue used to stick the pieces together was likely egg white, or a paste made from flour and water. I especially love the fact that she included both the common and scientific names of the plants depicted, the date and place they were made, and who donated the specimen.

You can browse the entire collection online via The British Museum, and a few more of my favorites below!

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

tags: inspiration, mary delaney, collage
categories: May 2025
Thursday 05.15.25
Posted by sirin thada
 

Japanese Printmakers

Hashimoto, Okiie. Girl and Irises (Shobu to shojo), 1952. The Art Institute of Chicago (Mr. and Mrs. Hubert Fischer Fund; Kate S. Buckingham Endowment).

A huge influence behind my Sirina Ruby work, and just generally, is the art of several modern Japanese printmakers. The resulting textures, registration “errors,” overlays, are simply irresistible to me. From the choice of wood, carving tools, paper, and variety of techniques, I love that it’s such a warm, tactile process. A few more favorites below.

Yamamoto, Kanae. On The Deck, 1912.

Yamaguchi, Susumu. View of Mount Yakedake from Taisho Pond in Kamikochi in June. 1939. The Art Institute of Chicago (Bruce Goff Archive, gift of Shin'enkan, Inc.)

Kawanishi, Hide. Harbor, 1900-1965. The Art Institute of Chicago (Gift of Oliver Statler).

tags: printmaking, sirina ruby
categories: May 2025
Thursday 05.01.25
Posted by sirin thada